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	<title>Comments on: The centre of The Culture</title>
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		<title>By: Jerusalem &#171; Touching From a Distance</title>
		<link>http://www.touchingfromadistance.co.uk/2010/02/the-centre-of-the-culture/comment-page-1/#comment-1284</link>
		<dc:creator>Jerusalem &#171; Touching From a Distance</dc:creator>
		<pubDate>Thu, 04 Mar 2010 07:48:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.touchingfromadistance.co.uk/?p=4933#comment-1284</guid>
		<description>[...] earlier poster called Rylance&#8217;s character, Johnny Rooster Byron,&#8221; a Jimmy Porter for our times&#8221;. [...]</description>
		<content:encoded><![CDATA[<p>[...] earlier poster called Rylance&#8217;s character, Johnny Rooster Byron,&#8221; a Jimmy Porter for our times&#8221;. [...]</p>
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		<title>By: Edward McLaughlin</title>
		<link>http://www.touchingfromadistance.co.uk/2010/02/the-centre-of-the-culture/comment-page-1/#comment-1235</link>
		<dc:creator>Edward McLaughlin</dc:creator>
		<pubDate>Fri, 26 Feb 2010 18:30:41 +0000</pubDate>
		<guid isPermaLink="false">http://www.touchingfromadistance.co.uk/?p=4933#comment-1235</guid>
		<description>Must the emergence of new culture, necessarily present itself as &#039;threatening&#039;?

Sometimes, no doubt, this will be so, and such episodes of revolt will erupt healthily at intervals. But more commonly, there is a development during which bases can be adopted and developed. &#039;On the shoulders of giants&#039; and all that?

Hell of a waste to knock down the house when perhaps a nice extension would do the job for a while.</description>
		<content:encoded><![CDATA[<p>Must the emergence of new culture, necessarily present itself as &#8216;threatening&#8217;?</p>
<p>Sometimes, no doubt, this will be so, and such episodes of revolt will erupt healthily at intervals. But more commonly, there is a development during which bases can be adopted and developed. &#8216;On the shoulders of giants&#8217; and all that?</p>
<p>Hell of a waste to knock down the house when perhaps a nice extension would do the job for a while.</p>
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		<title>By: Scott Jordan Harris</title>
		<link>http://www.touchingfromadistance.co.uk/2010/02/the-centre-of-the-culture/comment-page-1/#comment-1176</link>
		<dc:creator>Scott Jordan Harris</dc:creator>
		<pubDate>Tue, 23 Feb 2010 22:17:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.touchingfromadistance.co.uk/?p=4933#comment-1176</guid>
		<description>Here&#039;s a link to a brief extract from Patti Smith&#039;s &#039;Just Kids&#039;.

http://www.freep.com/article/20100214/ENT04/2140330/1362/</description>
		<content:encoded><![CDATA[<p>Here&#8217;s a link to a brief extract from Patti Smith&#8217;s &#8216;Just Kids&#8217;.</p>
<p><a href="http://www.freep.com/article/20100214/ENT04/2140330/1362/" rel="nofollow">http://www.freep.com/article/20100214/ENT04/2140330/1362/</a></p>
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	<item>
		<title>By: Scott Jordan Harris</title>
		<link>http://www.touchingfromadistance.co.uk/2010/02/the-centre-of-the-culture/comment-page-1/#comment-1174</link>
		<dc:creator>Scott Jordan Harris</dc:creator>
		<pubDate>Tue, 23 Feb 2010 22:03:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.touchingfromadistance.co.uk/?p=4933#comment-1174</guid>
		<description>Magnificent post. I&#039;m honoured to be part of blog running pieces like this by writers like Matthew d&#039;Ancona. 

I thank a fascinating aspect of this topic is how new cultural hotspots emerge but aren&#039;t always universally noticed. In cinema, for example, the extraordinary output of South Korean filmmakers over the last decade was a symptom of an astonishing cultural upturn, but one that was never fully acknowledged in the West. Subsequently, we have to wonder if it was, therefore, never spurred to reach its fullest potential.</description>
		<content:encoded><![CDATA[<p>Magnificent post. I&#8217;m honoured to be part of blog running pieces like this by writers like Matthew d&#8217;Ancona. </p>
<p>I thank a fascinating aspect of this topic is how new cultural hotspots emerge but aren&#8217;t always universally noticed. In cinema, for example, the extraordinary output of South Korean filmmakers over the last decade was a symptom of an astonishing cultural upturn, but one that was never fully acknowledged in the West. Subsequently, we have to wonder if it was, therefore, never spurred to reach its fullest potential.</p>
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		<title>By: ndm</title>
		<link>http://www.touchingfromadistance.co.uk/2010/02/the-centre-of-the-culture/comment-page-1/#comment-1173</link>
		<dc:creator>ndm</dc:creator>
		<pubDate>Tue, 23 Feb 2010 19:31:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.touchingfromadistance.co.uk/?p=4933#comment-1173</guid>
		<description>I&#039;ve never been to Sheffield but always associate it with sharpness.</description>
		<content:encoded><![CDATA[<p>I&#8217;ve never been to Sheffield but always associate it with sharpness.</p>
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		<title>By: David</title>
		<link>http://www.touchingfromadistance.co.uk/2010/02/the-centre-of-the-culture/comment-page-1/#comment-1172</link>
		<dc:creator>David</dc:creator>
		<pubDate>Tue, 23 Feb 2010 19:07:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.touchingfromadistance.co.uk/?p=4933#comment-1172</guid>
		<description>Simon,

I lived in Sheffield in the mid 70&#039;s and I can assure you that it it was anything but dull !!!!

:-))</description>
		<content:encoded><![CDATA[<p>Simon,</p>
<p>I lived in Sheffield in the mid 70&#8217;s and I can assure you that it it was anything but dull !!!!</p>
<p>:-))</p>
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		<title>By: simon</title>
		<link>http://www.touchingfromadistance.co.uk/2010/02/the-centre-of-the-culture/comment-page-1/#comment-1170</link>
		<dc:creator>simon</dc:creator>
		<pubDate>Tue, 23 Feb 2010 14:22:28 +0000</pubDate>
		<guid isPermaLink="false">http://www.touchingfromadistance.co.uk/?p=4933#comment-1170</guid>
		<description>Will you&#039;re right about Morrissey, The Smiths were of course a great Manchester band but Morrissey did all he could to distance himself from the Tony Wilson and the Factory empire, even going as far as signing to Factories great rival and quintessentially LDN label Rough Trade, which always felt like a deliberate statement to me ..  Of course he then disappeared to LA and went nuts in the sun..Am I the only one who just can&#039;t imagine Morrissey in LA?</description>
		<content:encoded><![CDATA[<p>Will you&#8217;re right about Morrissey, The Smiths were of course a great Manchester band but Morrissey did all he could to distance himself from the Tony Wilson and the Factory empire, even going as far as signing to Factories great rival and quintessentially LDN label Rough Trade, which always felt like a deliberate statement to me ..  Of course he then disappeared to LA and went nuts in the sun..Am I the only one who just can&#8217;t imagine Morrissey in LA?</p>
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		<title>By: simon</title>
		<link>http://www.touchingfromadistance.co.uk/2010/02/the-centre-of-the-culture/comment-page-1/#comment-1169</link>
		<dc:creator>simon</dc:creator>
		<pubDate>Tue, 23 Feb 2010 14:09:25 +0000</pubDate>
		<guid isPermaLink="false">http://www.touchingfromadistance.co.uk/?p=4933#comment-1169</guid>
		<description>ndm  &amp; Paul A couple of years ago I was lucky enough to see the Arctic Monkeys play a pub in Sheffield as warm up for their big UK stadium tour and a great gig it was too . But I think your claim for the City of Steel is bit hollow. My wife hails from Sheffield &amp; we spend quite a bit of time there and it&#039;s a dull place.  It&#039;s time was in eighties when Sheffield  synth pop bands like the Human League, ABC, Clock DVA, Heaven 17 &amp; Cabaret Voltaire had their time in the sun  and the club the Lead Mill had pretensions of being Sth Yorkshires Hacienda.

Even Sheffields biggest current star Alex Turner from the Arctics has left to live in my nomination for the centre of The Culture, Brooklyn, Jarvis left for Paris eons ago. Okay Richard Hawley hangs on in Nether Edge but as much as I love him he &#039;s hardly makes  &quot;new stuff which is truly threatening to our settled ways of seeing thing&quot;  fot that you have to go to NYC and Croydon</description>
		<content:encoded><![CDATA[<p>ndm  &amp; Paul A couple of years ago I was lucky enough to see the Arctic Monkeys play a pub in Sheffield as warm up for their big UK stadium tour and a great gig it was too . But I think your claim for the City of Steel is bit hollow. My wife hails from Sheffield &amp; we spend quite a bit of time there and it&#8217;s a dull place.  It&#8217;s time was in eighties when Sheffield  synth pop bands like the Human League, ABC, Clock DVA, Heaven 17 &amp; Cabaret Voltaire had their time in the sun  and the club the Lead Mill had pretensions of being Sth Yorkshires Hacienda.</p>
<p>Even Sheffields biggest current star Alex Turner from the Arctics has left to live in my nomination for the centre of The Culture, Brooklyn, Jarvis left for Paris eons ago. Okay Richard Hawley hangs on in Nether Edge but as much as I love him he &#8217;s hardly makes  &#8220;new stuff which is truly threatening to our settled ways of seeing thing&#8221;  fot that you have to go to NYC and Croydon</p>
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		<title>By: marc nash</title>
		<link>http://www.touchingfromadistance.co.uk/2010/02/the-centre-of-the-culture/comment-page-1/#comment-1166</link>
		<dc:creator>marc nash</dc:creator>
		<pubDate>Tue, 23 Feb 2010 13:12:30 +0000</pubDate>
		<guid isPermaLink="false">http://www.touchingfromadistance.co.uk/?p=4933#comment-1166</guid>
		<description>The internet is flattening out everything to a virtual global culture, instantly accessible and referencible. 

It&#039;s always difficult to spot the next, upcoming counter-cultural trend (before it gets absorbed into the mainstream)as it&#039;s probably already happening amiong a generation far too junior to the likes of us to have any antennae into, until it explodes or gets enough coverage to make us aware of it, by which time it&#039;s probably on the downswing of its energies and creativity anyway. 

In literature, it&#039;s going to be the Year Zero Writers Collective. You heard it here first.</description>
		<content:encoded><![CDATA[<p>The internet is flattening out everything to a virtual global culture, instantly accessible and referencible. </p>
<p>It&#8217;s always difficult to spot the next, upcoming counter-cultural trend (before it gets absorbed into the mainstream)as it&#8217;s probably already happening amiong a generation far too junior to the likes of us to have any antennae into, until it explodes or gets enough coverage to make us aware of it, by which time it&#8217;s probably on the downswing of its energies and creativity anyway. </p>
<p>In literature, it&#8217;s going to be the Year Zero Writers Collective. You heard it here first.</p>
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		<title>By: will</title>
		<link>http://www.touchingfromadistance.co.uk/2010/02/the-centre-of-the-culture/comment-page-1/#comment-1162</link>
		<dc:creator>will</dc:creator>
		<pubDate>Tue, 23 Feb 2010 09:05:42 +0000</pubDate>
		<guid isPermaLink="false">http://www.touchingfromadistance.co.uk/?p=4933#comment-1162</guid>
		<description>There&#039;s always talent out there. Tony Wilson&#039;s great skill was to tie Joy Division, New Order and Factory&#039;s success to Manchester in the press and the public&#039;s imagination. Anyone who came after had a &#039;story&#039; - they were from Manchester and had therefore inherited their internal landscape from Ian Curtis and their aesthetic from the architecture of the Hacienda. Extraordinary people like Morrissey could be forgiven if they slightly resented being ghettoized with the rest of that generation. It is for this reason that Bob Dylan is probably grateful he wasn&#039;t born in Brooklyn, or Nashville.</description>
		<content:encoded><![CDATA[<p>There&#8217;s always talent out there. Tony Wilson&#8217;s great skill was to tie Joy Division, New Order and Factory&#8217;s success to Manchester in the press and the public&#8217;s imagination. Anyone who came after had a &#8217;story&#8217; &#8211; they were from Manchester and had therefore inherited their internal landscape from Ian Curtis and their aesthetic from the architecture of the Hacienda. Extraordinary people like Morrissey could be forgiven if they slightly resented being ghettoized with the rest of that generation. It is for this reason that Bob Dylan is probably grateful he wasn&#8217;t born in Brooklyn, or Nashville.</p>
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