The Getaway
A guest post from my screenwriter buddy Will Osborne
As someone who spends a lot of his life watching films, talking about films and even on occasion, when backed into a corner, actually writing films, there’s a special place in my heart for the heist movie. As a genre it has all the elements I love: action, drama, gadgets, a good romance if it’s cooking on gas, some hairpin turns and 360s to the plot. And, of course, the best heist movies should also have a really good getaway.
In fact, for me the getaway is more important than the heist itself. So I tend to focus on movies where the action is weighted to what happens afterwards – the “will they get away with it or won’t they?” I’ll list a few of my favourites: “Riffifi”. (Although everyone goes on about the wordless twenty minutes or so of the robbery, just ignore that bit). “The Getaway”. (Obviously, although the robbery is pretty good. What’s fantastic is the way Steve McQueen falls back in love with Ali McGraw. Everyone complains about her acting, but there is real chemistry, and Peckinpah hadn’t gone crazy by then.) Then there’s that Seventies classic “Charley Varrick”, and the oddball “Quick Change” which is not for everyone but which I find funny and tense at the same time – a bit like watching your kids in a school play.
However, the point of my post today is not actually to talk about the getaway in heist movies. That was just blather, or maybe a set-up for a 360 turn at the mid point. Scanning the papers over the weekend and reading about the enormous bonuses being lavished across Wall Street, I was struck by the fact that they have ignored one of the cardinal rules of your classic heist: NEVER SPEND THE PROCEEDS OF THE ROBBERY UNTIL AFTER THE HEAT HAS DIED DOWN.
Surely to God it should be obvious that when you’ve managed to steal the best part of a trillion dollars of taxpayers’ money from under the noses of the dozy public without so much as a pound of gelignite being detonated or a couple of bank guards wasted, you must, absolutely must skedaddle to your hideout in the Hamptons or Connecticut and stay cool for a long time. No buying the mistress a fur coat (remember “Goodfellas” for Christ’s sake.) Or the good old English equivalent of taking your Mother down to Brighton in a brand new Roller for some whelks on the Sunday after you’ve hit the Glasgow to London Mail train. No, just stick with your current Gulfstream and 25,000 square-foot beach-house. Then, when things are looking cool, go out, spend a little. If they’d just done that no one would have been any the wiser and they’d have made a clean getaway. Nice.











I agree wholeheartedly with your attack on the bankers and their hog-like stampede back to the trough.
I knew your promise to keep the site free of politics would not last long.
Edward I said Party politics!
I read somewhere that in the Scene when Steve slapped Ali about she didn’t know it was going to happen. If you take a close look at her reaction you’ll see that she might not have been acting. She couldn’t have been too disturbed by this as she ended up marrying him. If Sam had cast Claudine Longet as Carol thing might have turned out a little differently for Steve!
[...] up Will Osborne’s cracking post on Wall Street robbery, the greatest financial crook of them all, Gordon Gekko is back on screens soon , with possibly the [...]
Simon
No you didn’t
Edward Yes I did
From my first post:
“magazines, photography, theatre and any other stuff I find interesting. But NO party politics, I’ve had enough of banging my head against a wall over and over again… There will be lots of guest contributors, some of whom actually know what they’re talking about.”
So we can talk politics?
A couple of years ago on an extended summer trip to LA , we took a a trip to the famous Polo Lounge at the Beverly Hills hotel and I was lucky enough to see Ali Macgraw’s first husband the legendary producer Robert Evans. He was staggering about a bit after a stroke, but it made my day to see the saviour of Paramount and a true hero of the biz.
A great book to read about the inner workings of Hollywood is his memoir ‘The Kid Stays in the Picture’ Just check out his IMDB page http://www.imdb.com/name/nm0263172/ The man is Hollywood..
[...] Regular reader David thinks that Will Osbrone was thinking about Vic Dakin in ‘Villan” when he writes “…..Or the good old English equivalent of taking your Mother down to Brighton in a brand new Roller for some whelks on the Sunday after you’ve hit the Glasgow to London Mail train.” In his post ‘The Getaway‘: [...]