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June, 2010 | by: Marc Nash | Comments (6)

Infantalise Me

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TV dramas are my staple alternative to the deluge of reality shows, soaps and makeover programmes that passes for entertainment these days. Or at least they used to be.

TV drama seems overly wallowing in nostalgia. ‘Ashes To Ashes‘, Mad Men‘, ‘Minder and ‘The Prisoner‘ remakes, or that interminable Sunday evening shiny, happy people fare like ‘Heartbeat‘ and ‘Ballykiss Angel‘.

To my mind, this is simply the product of that generation growing up in the late 70’s and 80’s now assuming control of the commissioning departments. They cast back into their minds for “inspiration” and delve into their childhoods for programming ideas. It evidences a lack of vision, awareness and originality. And an assumption that their nostalgia is the same as mine or yours. It represents an infantilisation for all of us, once their babies get made and screened. Here’s why in my opinion.

I ask myself why they cast back into their childhoods for material? Why cannot they reflect on our modern times for inspiration? Because there is something comforting in their pasts, an escape from these troubling, complex times we live in now. There is an unstated wish fulfillment happening here, a yearning for a simpler, purer age. The people in power in TV, probably had fairly privileged upbringings. But now threatened by the instability of the world economy, together with the stress of an explosion in alternative media challenging TV’s hegemony, such folk reach back into more unruffled and cosier times in the amniotic embrace of their original childhoods. A return to the womb warmth and numbness. Please don’t offer me ‘Skins‘ as a counter-argument, that in fact executives ARE trying to engage with the here and now. Talk about infantilisation… Adults probably shouldn’t be allowed to produce programmes about teens…

In the late 1960’s and 70’s, TV was still a new enough medium to be in touch with the vision of its founding fathers. Of genuine public broadcasting, albeit of the patrician kind, but these patricians took their duty seriously. ‘Play For Today‘ ran for fourteen years and boasted or launched the careers of writers such as Mike Leigh, Alan Bleasdale, Dennis Potter, Willie Russell, Stephen Poliakoff et al. Writer-led drama, unlike the appalling scripts of ‘Ashes To Ashes’ or the Sunday evening bromides.

Now admittedly these were one -off dramas not series, though ‘Boys From The Blackstuff‘ emerged as a series out of the original screenplay. For some reason that format fell out of favour. Their treatment of contemporary issues, with an artistic, metaphorical flourish, has now been replaced by the plodding literalism of the Soaps when they turn their hand to address a ‘hard-hitting’ issue. I for one feel short changed by such a trend. But it seems pretty irreversible. Into the drama vacuum has emerged the glitzy, surface appearance of ‘Ashes to Ashes’ and its ilk. High concept, low end execution.

You may argue that ‘Pennies From Heaven‘ drips in nostalgia, albeit for the 1930’s. Similarly ‘The Singing Detective’ invokes noir detectives and again Potter’s love for 1930’s music. But the latter has a contemporary setting as a man looks back on his life from his sickbed and both are far from cosy nostalgia as they seek to unravel the present dystopia stemming from childhood anxieties and trauma. Such works seethe in subtext and what is going on emotionally under the surface, in a way that soaps, and surface detail-obsessed nostalgic trips like ‘Ashes To Ashes‘ lamentably fail to do. This is the difference between light entertainment and serious drama. This is what happens when you have half an eye on international DVD box-set sales and where the key artistic decisions revolve around what songs to put on the soundtrack. If you want to rediscover the music of the age, go back and download the albums. Don’t weave a specious drama around it.

I liked the first series ‘Life On Mars‘ with John Simm. It had some decent writing that gave the actors something to work with to inject credibility into what was after all a fantasy plot. But as far as recalling what life was like in the 1970’s, revisiting MY childhood, I would rather watch reruns of ‘The Sweeney‘ on ITV4, with real locations, and a real period feel because it was actually shot in the 1970’s. I look at the cars and how primitive and boxy they seem. I marvel at how the Cops are forced to locate a telephone box to phone any live information in, pre-mobiles, computers and Satnavs. I see how much the architecture and geography of London, my London, has changed as I grope for dim recognition of the locations. It says more about police corruption than the meandering storyline throughout the recent ‘Ashes To Ashes‘ series ever could. I don’t want my recall structured and furnished for me by the creative eye of TV set designers casting their minds back 30 years. I already have an established bank of memories from the time itself. I can indulge my own nostalgia, not have others presume to do it for me. I don’t want to pay homage to how great a series ‘Minder’ was by remaking the bloody thing with ‘Eastenders‘ cast offs. I’ve got the original showing every week on digital TV.

Nostalgia, it just ain’t what it used to be.

  • 16 / Jun / 2010    Paul B

    How does Shameless grab you Marc? Its essential viewing in my household. Great acting, shocking drama and huge belly laughs. I believe it also represents the reality of modern Britain for many. Frank Gallagher is one of televison immortal characters. Up there with Homer Simpson.Paul Abbott a modern Bleasdale?

    TV drama is too frequently middle class and comfortable. Confronting middle class hangs ups. Its twitching behind the curtain TV. The Yanks do it better. For a modern I Claudius, see Spartacus Blood & (Guts) Sand. Its not so refined, but its in your face sex and violence entertainment, with a capital E.

    BBC4 presents some interesting low key dramas. Although not confronting the problems of our time (which are?) it frequently produces interesting bio dramas. I am thinking of Fantabuluso in particular qand the dramas on Mrs Thatcher, Mary Whitehouse & Fanny Craddock.

    Good drama is out there Marc, its just needs sniffing out.

  • 16 / Jun / 2010    simon

    Paul B – So glad to have you back, I thought you’d done a runner.

    I agree with you, Marc is being a bit too negative. The World Cup and now TeeVee, TFAD’s grumpy old geezer :)

    I was a big fan of ‘Shameless’ but I think it’s best days are behind it, but I’m lovin’ Spartacus a great romp ‘Rome’ meets ‘Emanuelle’ in the arena. But I have just finished ‘Carlos’ (about Carlos the Jackal) by French TV company Canal Plus, simply great TV. I love my HBO but ‘Catrlos’ had a distinctly European feel to it which was refreshing.

  • 16 / Jun / 2010    Paul B

    Hello Simon, yes I`m sorry, been away too long. Maxed out on tribal party politics. Was in London last weekend, near(ish) your neck of the woods- Regents Park & the Zoo. Decided I needed stimulation again, so here I am on your site.

    Can I mention Luther? Its the cliched cops n bad boys drama, but I thought it fizzed along with some great acting, scripts and with London as it backdrop, it was always good to watch.

    Shameless did drop of for a while, but I though the last series was a return to form, leaving me wanting more.

    Lastly, how do you get HBO? Its a channel I would gladly pay for as they produce good drama, although Pacific bored me and I gave up after 2 episodes.

  • 16 / Jun / 2010    simon

    Paul – We’re very glad to have you back. I have ‘Luther’ on the Sky + but not really cracked into it yet, Marc was a sniffy in an earlier post but I will give it a go, if only for Idris Elber, as you know ‘The Wire’ was my fav TV prog ever.

    I too was terribly disappointed by ‘Pacific’ but will press on to the end. You can’t get an HBO channel in the UK, you just have to look out for their shows on other cable channels and I get recommendations from my brother and buy DVD box sets on Amazon. Just about to start on the new Gabriel Byrne HBO series ‘In Treatment’ which comes highly recommended.

    Please keep dropping by and watch out for ‘Carlos’ .

  • 16 / Jun / 2010    Paul B

    I haven`t read Marcs comments on Luther, but I can see how it can be criticised.

    First off, Idris Elber is a real find. He`s big, he`s black, hes good looking, fills every scene he`s in with his presence. Most of all though, hes a fine actor. He`s a real talent and will be around for a long time. I think the BBC wet itself when it obtained his services.Luther fitted the bill. Its Wire lite, 5 amp, rather 15amp. Even the opening credits are similar to the Wires. I think the BBC may have wanted to do its own Wire, there is nowt wrong with plagiarism, as well as its well done. Auntie bottled it though, it lacked the courage to assault its viewers in the way Wire did. Perhaps the J Ross , R Brand incident has burned Aunties fingers. If so that’s a shame.

    For all that though, it was good viewing and aparty from Idris, it was first viewing of Ruth Wilson. I trust it will not be my last.

    Briefly, Play for Today. I also remember it well and fondly. However, looking back I bet there was a lot of dross as well, but that would be the point. An experimental platform, where new writers can get a showing. Despite having numerous more channels these days, it appears a lot tougher for new writers to make their mar.

  • 16 / Jun / 2010    marc nash

    A bit sniffy? If you saw the size of my hooter you’d realise that it a mighty oak of criticism…

    Anyway, I did find Luther a bit disappointing though the two leads, three if you count Stephen McIntosh were superb. I could watch Ruth Wilson for hours. But the scripts were a bit leaden and didn’t quite back up the actors. Still, definite promise there.

    I watched the first 2 series of Shameless but then felt it was repeating itself. When did Abbott stop being responsible for the writing?

    Paul is so right about the Commissioning producers – not only does Oxbridge have a stranglehold on comedy performers from Footlights etc going straight on to telly, but given a few years, all the TV Execs also hail from the cities of glittering spires as well.

    My post was specifically about the drama of nostalgia, so things like Pacific and Spartacus weren’t really under consideration. But as an ex-historian, I tend to avoid anything like those as much as possible. Give me a serial killing Dexter any day and yes, the Americans do do it so much better.